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Thought Leadership

The growing demand for audio journalism

The recent launch of the New York Times audio app has sent ripples through the media industry, highlighting the escalating popularity and demand for audio content.

Escalating popularity of audio content

The recent launch of the New York Times audio app has sent ripples through the media industry, highlighting the escalating popularity and demand for audio content. In a world where multitasking has become the norm, audio has emerged as a convenient and immersive medium for consuming news and stories. The New York Times' strategic investment in an audio-only app serves as a clear signal of the shifting media landscape and the recognition of audio's potential.

Numerous statistics underline the growing consumer behavior towards audio. According to a study conducted by Edison Research and Triton Digital, 169 million Americans have indulged in podcast listening, representing 68% growth in the past five years. Furthermore, the research reveals that podcast listeners spend an average of six hours and 39 minutes each week tuning in to their favorite shows. These figures illustrate the expanding audience base and the increasing time spent engaging with audio content.

source: Infinite Dial 2022, Edison Research

Publications that fail to offer audio content risk missing out on this rising demand

As listeners seek to diversify their consumption habits, audio has become a preferred option. The convenience of listening while commuting, exercising, or performing daily tasks has transformed audio into an essential part of people's lives. Publishers that solely focus on print or digital platforms without embracing audio are inadvertently limiting their reach and alienating potential audiences.

Challenge with audio creation: time-consuming and expensive

Producing high-quality audio content demands specialized equipment, skilled professionals, and substantial resources. While large publications like the New York Times have the means to invest in audio production, most publications lack the necessary infrastructure and funding to pursue such ventures.

A 10 minute solution: democratizing creation of audio

That's where platforms like Adauris come into play. Adauris empowers anyone to enter the audio content space, regardless of their resources. Leveraging the high-quality articles that publications produce, Adauris utilizes advanced text-to-speech technology to convert written content into audio. This efficient process minimizes the time and cost associated with traditional audio production, making it accessible to a wider range of publishers.

Furthermore, Adauris facilitates the distribution of these audio stories. The platform ensures that the converted audio content is readily available on the publication's website, enabling a seamless transition for readers who prefer the auditory experience. Additionally, Adauris leverages partnerships with popular audio platforms like Spotify, Apple Podcasts, and more, expanding the reach of the publication's audio content to a broader audience.

Future of media lies not just in words on a page, but in the compelling voices that bring stories to life

The New York Times' foray into the audio space is a testament to the growing demand for audio content. The statistics surrounding audio consumption behavior highlight the shifting media landscape, where consumers are embracing audio as a convenient and immersive medium. Publishers that overlook the rising popularity of audio risk losing out on a significant segment of their potential audience. While audio production may pose challenges for many publications, platforms like Adauris democratize the creation and distribution of audio content, enabling publications of all sizes to tap into this thriving medium.

As the world becomes increasingly interconnected and people's media habits continue to evolve, embracing audio as a means of content delivery is no longer a luxury but a necessity. The New York Times audio app launch serves as a powerful reminder that the future of media lies not just in words on a page, but in the compelling voices that bring stories to life.